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Jan Cox (painter)

 

Jan Cox (painter)

Jan Cox (The Hague, 1919 - Antwerp, 7 October 1980) was a painter who spent the largest part of his creative life in the United States and Belgium.

Life


In 1945 he was a founding member of the Jeune Peinture Belge group. By the end of that decade he was briefly associated the CoBrA movement, publishing some of his art in the CoBrA magazine.

In 1950 he moved to the United States, first to New York, and, after a brief stay in Rome, in 1956 to Boston, where he became head of the Painting Department at the School of the Museum of Fine Arts.

In 1974 he returned to Belgium, to live in Antwerp, and devote himself to painting exclusively.

Jan Cox was psychically hyper-sensitive, which resulted in recurring depressions all throughout his life, eventually leading to his suicide in 1980.

Work


Several of his paintings are abstract, though some of his major successes were with (partly) figurative work: the cycle based on the myth of Orpheus which he produced in Boston, the cycle based on Homer’s Iliad he produced after his return to Antwerp, etc.

Artistic views


Jan Cox was convinced that the technical capabilities of a painter were of minor importance for the quality of the painting that resulted: in his view all technique a painter needed for the creation of paintings could be learnt in a few months, the rest depended on the painter's creativity.

See also

  • Socrate

    Sources

  • Jan Cox, a Painter's Odyssey, a 1988 documentary film by Bert Beyens and Pierre De Clercq, with the voice of Jeroen Krabbé telling the story.
  • Jan Cox at the-artists.org
  • A Jan Cox painting on a Belgian art stamp
  • Jan Cox on "kunstonline"
  • Myth, Symbol and Sexual Imagery in the painting of Jan Cox 1919-1980 - A honours dissertation by Peter P. Shea presented at the School of Art History at the University of St Andrews (UK)
  • (Biography in Dutch) Jan Cox - Philippe Pirotte ; Robert F. Brown ; Claire Van Damme ; Karel Boullart. - Brussel : Gemeentekrediet, 1996. - 191 p., ill. - (Monografieën over moderne kunst ; 1996: 6). - ISBN 90-5066-169-6


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