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Encyclopedia :
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Megatokyo |
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MegatokyoMegatokyo is a popular webcomic written and drawn in manga style by Fred Gallagher. The comic was started on August 14, 2000 as a joint project of Gallagher and his friend (and later business partner) Rodney Caston, with Caston writing the scripts and Gallagher supplying the artwork. After a while, artistic differences surfaced between the two creators, and Caston sold off his ownership of the company in May 2002, a development that remains controversial to this day. Since then, the comic is created entirely by Fred Gallagher. In October 2002, he was laid off from his day job as an architect, and has since done the comic as a full-time job. Megatokyo took its name from its Internet domain, which had hosted a short-lived news site of Caston's before the start of the comic. One of the most well-known features of Megatokyo is the frequent use of "L33t speak", and some argue that the comic helped to introduce that style to a more mainstream audience. PlotMegatokyo follows the story of two Americans, Piro and Largo, who are stuck in Tokyo after an incident at the Eł gaming exposition. The pair find themselves stranded without any money, leaving them with no way to buy tickets home.The two protagonists are based on Megatokyo's two creators (or their online personae), but they are fictional characters with lives of their own. Many of the male characters are based on Gallagher and Caston's friends; but, with the exception of Seraphim, who is based on Gallagher's wife, the female cast members are not based on real life. Much of the comic's early humour consists of video game humor and inside jokes, as well as culture-clash issues—a testament to Caston's writing. The story has changed over time with the greatest changes coming after Gallagher completely took over Megatokyo and now features aspects from a number of different anime and manga archetypes: as Largo fights off the threats from zombie hordes with his Beowulf cluster, the angelic Boo (a hamster of Baldur's Gate fame) desperately tries to set him on the straight and narrow; while Piro's life has grown similar to a dating sim game, with Seraphim dispensing unasked for advice on his love life or lack thereof. All strips are available free of charge from megatokyo.com or can be purchased in book form, which is published by Dark Horse Comics. As of April 3rd 2005, three volumes are available for purchase. (At one point I.C. Entertainment (formerly IronCat) published a book compilation of strips that are now included in Volume One. Gallagher and I.C. were unable to come to an agreement on further volumes. Hence, Dark Horse Comics is now the publisher of choice for Megatokyo.) Criticism and praiseMegatokyo has been subject to substantial—some claim unwarranted—criticism and praise. Some of this criticism no doubt stems from Megatokyo's lasting popularity, but there has been much legitimate critical discourse as well. Some critics dislike Megatokyo's layout design, which has changed over the years from a traditional American four panel comic strip to a manga-influenced multi-paneled page. Critics also dislike its storytelling style, slow pace, large supporting cast (with no on-site aids for the uninitiated or confused, leading fans to resort to creating their own resource sites) and no clear direction or resolution for the multiple plot threads. This perception is exasperated by the often erratic schedule of updates and filler art days the strip has featured in the past, making the slow pace seem even slower. The complaints about the speed of updates even prompted Gallagher to install an update progress bar for readers waiting for the next installment. Megatokyo's supporters feel the new focus on storytelling and slow pace constitute an artistic vision on Fred Gallagher's part, citing source material that include anime, manga, and the various Japanese dating sims that Gallagher emulates and ocasionally satirizes. Furthermore, while Megatokyo's layout has changed from the four-panel form to a manga-influenced layout, that seems to have been a natural artistic evolution in Gallagher's style—and if it has been criticized by some, it has been embraced by many others. However, just as there are fans of Gallagher's art, there are detractors who also complain that his art style has not evolved nearly as much as other webcomics. This also leads to accusations of laziness on Gallagher's part based on the perceived lack of artistic evolution and exposition on the multiple storylines. Professionally, Gallagher is now working full-time on Megatokyo. He was one of the first webcomic artists to make a business out of it, but with this change more criticism has arisen. One, being the customary accusation of selling out as well as two, the customary complaint about the speed of updates. With Gallagher's full-time status, the criticism is that updates should be more frequent than when Gallagher was only part-time. Another related criticism is that the Megatokyo website has had links to story and cast pages which have been "under construction" for years. Artistically, Megatokyo is often lauded for its intricate pencilwork (done entirely in grayscale, without either digital or physical 'inking,' although occasionally, colored art is displayed) and inspired, almost ethereal character design. Gallagher has been criticized for an uniformity of appearance in his characters, particularly with his female characters' faces, which some say are identical with hairstyle and attire as the only distinguishing features. Conversely, it is noted that Gallagher takes great care in costuming choices, hair and other design elements and that Gallagher's fans approve of his style of art. Many critics argue that Megatokyo was better when Rodney Caston wrote it. Originally, the strip was known for a frenetic sense of humor, with a greater emphasis on slapstick, video game humor and gag-a-day format. In the years since Caston has left, Megatokyo has evolved into a far more manga-influenced webcomic, focusing less on the humor that defined it in the beginning. Critics of Megatokyo often attack the post-Caston work as not being funny anymore. The post-Caston storylines focuses heavily on Piro, Gallagher's alter ego in the comic, which leads some to believe the story is an extended projection of Gallagher's own fantasies—or a form of Mary Sueism. Additionally, without Caston's input, it has been said that Caston's alter ego Largo's antics are not the same as before with some former fans feeling that Largo's violent gamer antics seem forced and seem to be just an afterthought on Gallagher's part. Complicating the issue are suggestions that Piro is or could be in questionable relationships with underage Japanese school girls. This latter criticism is interrelated with the common complaint that under Gallagher's direction, Megatokyo is morphing into the manga and dating sim games that Gallagher himself is so interested in. His fans defend the contention of potential pedophilia by asking for it to be considered in the context of the same manga and dating sims that the storyline emulates. Finally, some critics complain that the fictional Japan in Megatokyo does not resemble real-life Japan, as Gallagher himself has spent only a few weeks actually living there. Supporters counter that Megatokyo is meant to recreate the worlds of anime and manga, not to provide perfectly realistic depictions. Allegations of unrealistic plot points include the practical reality of Americans being stranded in Tokyo as well as the accuracy of the characterization of various Megatokyo cast members of Japanese nationality. Megatokyo's critics have suggested that Gallagher's use of kanji for the names of Japanese cast members suggest an attempt for some pseudo-realism, raising the question of a double standard in portraying a fictional Japan without much factual basis versus attempted mimicry of the culture. The departure of Rodney CastonRodney Caston's departure from Megatokyo was not fully explained at the time. Initially, Gallagher and Caston only briefly mentioned the split with the news of it publicly anounced when Gallagher posted a news post officially announcing Caston's departure. On January 15, 2005, Fred explained his version of the reasons for the split in response to what he felt was a "mean spirited" comment by Scott Kurtz of PvP where Kurtz implied that Gallagher had stolen Megatokyo from Caston:
CharactersIn Megatokyo, Japanese names are usually written in Japanese order (family name before given name), although a few strips have used the Western (given name first) form. Japanese order is used here. A more descriptive list of characters and character details can be found at Megatokyo characters.
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