Natalie Zemon Davis
Natalie Zemon Davis (1928-) is an American feminist and post-modernist historian of early modern France. She was born in Detroit and now lives in Toronto, Canada. Her main interests are in social and cultural history, especially of those previously ignored by historians. Davis makes use of numerous sources such as judical records, plays, pamphlets, notarial records, tax rolls, books and welfare documents. She is an leading proponent of cross-disciplinary history, which consists of combining history with disciplines as anthropology, art history, ethnography and litearcy theory. She is best known for serving as the technical advisor on 1982 French film Le retour de Martin Guerre (known in English as The Return of Martin Guerre). Davis is an great believer in the possibility of multiple and mutually incomparable "truths" co-existing besides one another. She believes that the use of fiction could explain the past better then the traditional reliance on veritable facts. For this reason, Zemon Davis feels film with it's ability to tell different versions of the same story and to present multiple viewpoints could potentially explain history better then can the traditional methods of history. Sometimes, Zemon Davis's work features "interviews" in which she holds imaginary conservations with the subjects of her books.
WorkSociety and Culture in Early Modern France: Eight Essays, Stanford, California: Stanford University Press, 1975. ""Women's History" in Transition: the European Case" pages 83-103 from Volume 3, Issue 3, Feminist Studies, 1975. "Ghosts, Kin, and Progeny: Some Features of Family Life in Early Modern France" pages 87-114 from Daedalus, Volume 106, Issue #2, 1977."Gender and Genre: Women as Historical Writers, 1400-1820" pages 123-144 from University of Ottawa Quarterly, Volume 50, Issue #1, 1980."Anthropology and History in the 1980s: the Possibilities of the Past"pages 267-275 from Journal of Interdisciplinary History, Volume 12, Issue #2, 1981. "The Sacred and the Body Social in Sixteenth-century Lyon", pages 40-70 from Past and Present, Volume 90, 1981."Women in the Crafts in Sixteenth-century Lyon" pagers 47-80, Volume 8, Issue 1, from Feminist Studies, 1982. "Beyond the Market: Books as Gifts in Sixteenth-century France" pages 69-88 from Transactions of the Royal Historical Society Volume 33, 1983.The Return of Martin Guerre, Cambridge, MA: Harvard University Press, 1983. Frauen und Gesellschaft am Beginn der Nerzeit, Berlin: Wagenbach, 1986. "`Any Resemblance to Persons Living or Dead': Film and the Challenge of Authenticity" pages 457-482 from The Yale Review, Volume 76, Issue #4, 1987.Fiction in the Archives: Pardon Tales and their Tellers in Sixtenth Century France, Stanford, California: Stanford University Press, 1987."Fame and Secrecy: Leon Modena's Life as an Early Modern Autobiography" pages 103-118 from History and Theory, Volume 27, Issue #4, 1988."History's Two Bodies" pages 1-13 from the American Historical Review, Volume 93, Issue #1, 1988."On the Lame" pages 572-603 from American Historical Review, Volume 93, Issue #3, 1988."Rabelais among the Censors (1940s, 1540s)" pages 1-32 from Representations, Volume 32, Issue #1, 1990."The Shapes of Social History" pages 28-32 from Storia della Storiographia Volume 17, Issue #1, 1990."Women and the World of Annales" pages 121-137 from Volume 33, History Workshop Journal, 1992.Renaissance and Enlightement Paradoxes, co-edited with A. Farge, Cambridge, MA: Belknap Press, 1993. Women on the Margins: Three Seventeenth-century Lives, Cambridge, MA: Harvard University Press, 1995.A Life of Learning: Charles Homer Haskins Lecture for 1997, New York: American Council of Learned Societeis, 1997.Remaking Imposters: From Martin Guerre to Sommersbuy, Egham, Surrey, UK: Royal Holloway Publications Unit, 1997."Beyond Evolution: Comparative History and its Goals" pages 149-158 from Swiat Historii edited by W. Wrzoska, Poznan: Instytut Historii, 1998.
ReferenceAdams, R.M. Review of Fiction in the Archieves page 35 from New York Review of Books, Volume 34, Issue #4, March 16, 1989. Adelson, R. Interview with Natalie Zemon Davis pages 405-422 from Historian Volume 53, Issue #3, 1991. Benson, E. "The Look of the Past: Le Retour de Martin Guerre" pages 125-135 from Radical History Review, Volume 28, 1984. Bossy, J. "Äs it Happened: Review of Fiction in the Archives", pages 359 from Times Literacy Supplement, Issue 4488, April 7, 1989. Coffin, J. & Harding. R. "Interview with Natalie Zemon Davis " pages 99-122 from Visions of History edited by H. Abelove, B. Blackmar, P.Dimock & J. Schneer, Manchester, UK: Manchester University Press, 1984. Finlay, R. "The Refashioning of Martin Guerre" pages 553-571 from American Historial Review Volume 93, Issue #2, 1988.Guneratne, A. "Cinehistory and the Puzzling Case of Martin Guerre" pages 2-19 from Film and History, Volume 21, Issue # 1, 1991. Le Roy Ladurie, Emmanuel "Double Trouble: Review of The Return of Martin Guerre" pages 12-13 from The New York Review of Books, Volume 30, Issue #20, December 22, 1983.O'Connor, J.E (editor) Images as Artifact: the Historical Analysis of Film and Television, Malabar, Florida: R.E. Krieger, 1990.Orest, R. Review of Women on the Margins pages 808-810 from American Historical Review, Volume 102, Issue #3, 1997. Quinn, A. Review of Women on the Margins page 18 from New York Times Review of Books, December 10, 1995. Roelker, N.L. Review of Fiction in the Archieves pages 1392-1393 from American Historical Review Volume 94, Issue #5, 1989. Roper, L. Review of Women on the Margins pages 4-5 from Times Literacy Supplement 4868, July 19, 1996.
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