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Encyclopedia :
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TAC :
Tacitus |
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Tacitus
Descent and place of birthHis scorn for the social climber has led to the supposition that his family was from an unknown branch of the patrician gens Cornelius, but no Cornelii had ever borne the cognomen Tacitus, the older aristocratic families had largely been destroyed in the chaos surrounding the end of the Republic, and Tacitus himself is clear that he owes his rank to the Flavian emperors (Hist. 1.1). The supposition that he descended from a freed slave finds no support apart from his statement, in an invented speech, that many senators and knights were descended from freedmen (Ann. 13.27), and is easily dismissed. His father was probably the Cornelius Tacitus who was procurator of Belgica and Germania. A son of this Cornelius Tacitus is cited by Pliny the Elder as an example of abnormally rapid growth and aging (N.H 7.76), implying an early death. This means that this son was not the historian, but his brother or cousin—the senior Cornelius Tacitus may have been an uncle. From this connection, and from the well-attested friendship between the younger Pliny and the younger Tacitus, scholars draw the conclusion that the two families were of similar class, means, and background: equestrians, of significant wealth, from provincial families.
His ancestry, his skill in oratory, and his occasional sympathy for barbarians who resisted Roman rule (e.g. Ann. 2.9), have led some to suggest that he was of Celtic stock: the Celts had occupied Gaul before the Romans, the Celts were famous for their skill in oratory, and the Celts had been subjugated by Rome. Public life, marriage, and literary careerAs a young man he studied rhetoric in Rome as preparation for a career in law and politics; like Pliny, he may have studied under Quintilian. In 77 or 78 he married Julia Agricola, daughter of the famous general Gnaeus Julius Agricola; we know nothing of their marriage or their home life, save that Tacitus loved hunting and the outdoors. He owed the start of his career (probably meaning the latus clavus, mark of the senator) to Vespasian, as he tells us in the Histories (1.1), but it was under Titus that he entered political life as quaestor, in 81 or 82. He advanced steadily through the cursus honorum, becoming praetor in 88 and holding a position among the quindecemviri sacris faciundis, members of a priestly college in charge of the Sibylline Books and the Secular Games. He gained acclaim as a lawyer and orator; his skill in public speaking gave a marked irony to his cognomen Tacitus ('silent'). He served in the provinces from c. 89 to c. 93, perhaps in command of a legion, perhaps in a civilian post. His person and property survived Domitian's reign of terror (93–96), but the experience left him jaded and grim, perhaps ashamed at his own complicity, and gave him the hatred of tyranny so evident throughout his works. From his seat in the Senate he became suffect consul in 97 during the reign of Nerva, being the first of his family to do so. During his tenure he reached the height of his fame as an orator when he delivered the funeral oration for the famous old soldier Verginius Rufus. In the following year he wrote and published his Agricola and Germania, announcing the beginnings of the literary endeavors that would occupy him until his death. Afterwards he disappears from the public scene, to which he returns during Trajan's reign. In 100, he, along with his friend Pliny the Younger, prosecuted Marius Priscus (proconsul of Africa) for corruption. Priscus was found guilty and sent into exile; Pliny wrote a few days later that Tacitus had spoken "with all the majesty which characterizes his usual style of oratory". A lengthy absence from politics and law followed, during which time he wrote his two major works: first the Histories, then the Annals. He held the highest civilian governorship, that of the Roman province of Asia in Western Anatolia, in 112 or 113, as evidenced by the inscription found at Mylasa (mentioned above). A passage in the Annals fixes 116 as the terminus post quem of his death, which may have been as late as 125. It is unknown whether he was survived by any children, though the Augustan History reports that the emperor Marcus Claudius Tacitus claimed him as an ancestor and provided for the preservation of his works—but like so much of the Augustan History, this story is probably fraudulent. Works's 1598 edition of the complete works of Tacitus, bearing the stamps of the Bibliotheca Comunale in Empoli, Italy. Five works ascribed to Tacitus have survived (or at least: large parts thereof). Years are approximate, and the last two (his "major" works), took probably more than a few years to write.
Agricola (De vita et moribus Iulii Agricolae)The Agricola (written c. 98) recounts the life of Gnaeus Julius Agricola, an eminent Roman general and Tacitus' father-in-law; it also covers, briefly, the geography and ethnography of ancient Britain. As in the Germania, Tacitus favorably contrasted the liberty of the native Britons to the corruption and tyranny of the Empire; the book also contains eloquent and vicious polemics against the rapacity and greed of Rome. DialogusWhen the Dialogus de oratoribus was written remains uncertain, but it was probably written after the Agricola and the Germania. Many characteristics set it apart from the other works of Tacitus, so much so that its authenticity may be questioned, even if it is always grouped with the Agricola and the Germania in the manuscript tradition. The way of speaking in the Dialogus seems closer to Cicero's proceedings, refined but not prolix, which inspired the teaching of Quintilian; it lacks the incongruities that are typical of Tacitus's major historical works. It may have been written when Tacitus was young; its dedication to Fabius Iustus would thus give the date of publication, but not the date of writing. More probably, the unusually classical style may be explained by the fact that the Dialogus is a work dealing with rhetoric. For works in the rhetoric genre, the structure, the language, and the style of Cicero were the usual models. The sources of TacitusTacitus was able to consult the official sources of the Roman state: the acta senatus (the minutes of the session of the Senate) and the acta diurna populi Romani (a collection of the acts of the government and news of the court and capital). He could read the collections of speeches by some emperors, such as Tiberius and Claudius. Generally, Tacitus was a scrupulous historian who paid careful attention to his historical works. The minor inacurracies occurring in the Annals might be due to the fact that Tacitus died before completely finishing (and supposedly final proofreading) of this work. He used a great variety of historical and literary sources as well; he used them with freedom and he chose from varied sources of varied tendency. Tacitus cites some of his sources directly, among them Pliny the Elder, who had written Bella Germaniae and an historical work which was the continuation of that of Aufidius Bassus. Tacitus could use some collections of letters (epistolarium) and various notes. He also took some information from the works of the historical genre named exitus illustrium virorum. These were a collection of books on and by those who opposed the emperors. They tell of the sacrifice of the martyr to freedom, especially the men who committed suicide, following the theory of the Stoics. Tacitus used these materials to give a dramatic tone to his stories, while he placed no value on the theory of the suicides. These suicides seem, to him, ostentatious and politically useless, while, on the other hand he is sometimes over the hill about the "swansong" speeches of some of those about to commit suicide, for example Cremutius Cordus' speech in Ann. IV, 34-35. Literary styleTacitus' writings are known for their instantly deep-cutting and dense prose, seldomly glossy, in contrast with the more placable style of some of his contemporaries, like Plutarch. When he describes a near-to-defeat of the Roman army in Ann. I,63 this is one of the rare occasions where he applies some kind of gloss, but then still rather by the brevity with which he describes the end of the hostilities, than by embellishing phrases. In most of his writings he keeps to a strictly chronological ordering of his narration, with only seldomly an outline of the bigger picture, as if he leaves it to the reader to construct that "bigger picture" for himself. Nonetheless, when he sketches the bigger picture, for example in the opening paragraphs of the Annals, summarizing the situation at the end of the reign of Augustus, he needs no more than a few condensed phrases to take the reader to the heart of the story. Approach to historyTacitus' historical style combines various approaches to history into a method of his own (owing some debt to Sallust): seamlessly blending straightforward descriptions of events, pointed moral lessons, and tightly-focused dramatic accounts, his history writing contains deep, and often pessimistic, insights into the workings of the human mind and the nature of power. Tacitus' own declaration regarding his approach to history is famous (Ann I,1): Throughout his writings, Tacitus appears primarily concerned with the balance of power between the Roman senate and the Roman Emperors. His writings are filled with tales of corruption and tyranny in the governing class of Rome as they failed to adjust to the new imperial régime; they squandered their cherished cultural traditions of free speech and self-respect as they fell over themselves to please the often bemused (and rarely benign) emperor. Another important recurring theme is the role of having the sympathy of the army in the coming to power (and staying there) of an Emperor: throughout the period Tacitus is describing, the leading role in that respect sways between (some of) the legions defending the outer borders of the Empire, and the troups residing in the city of Rome, most prominently the Praetorian Guard. Tacitus' political career was largely spent under the emperor Domitian; his experience of the tyranny, corruption, and decadence prevalent in the era (81–96) may explain his bitter and ironic political analysis. He warned against the dangers of unaccountable power, against the love of power untempered by principle and against the popular apathy and corruption, engendered by the wealth of the empire, which allowed such evils to flourish. The experience of Domitian's tyrannical reign is generally also seen as the cause of the sometimes unfairly bitter and ironic cast to his portrayal of the Julio-Claudian emperors. Nonetheless the image he builds of Tiberius throughout the first six books of the Annals is neither exlusively bleak nor approving: most scholars analyse that the image of Tiberius is predominantly positive in the first books, becoming predominantly negative in the following books relating the intrigues of Sejanus. Even then, the entrance of Tiberius in the first chapters of the first book is a crimson tale dominated by hypocrisy by and around the new emperor coming to power; and in the later books some kind of respect for the wisdom and cleverness of the old emperor, keeping out of Rome to secure his position, is often transparent. In general Tacitus does not fear to give words of praise and words of rejection to a same person, often explaining openly which he thinks the commendable and which the despicable properties. Not conclusively taking sides for or against the persons he describes is like his hallmark, and led thinkers in later times to interpret his works as well as a defense of an imperial system, as as a rejection of the same (see below, Reception in the Renaissance an the Enlightenment). A better illustration of Tacitus' "sine ira et studio" is scarcely imaginable. Prose styleTacitus' skill with written Latin is unsurpassed; no other author is considered his equal, except perhaps for Cicero. His style differs both from the prevalent style of the Silver Age and from that of the Golden Age; though it has a calculated grandeur and eloquence (largely thanks to Tacitus' education in rhetoric), it is extremely concise, even epigrammatic—the sentences are rarely flowing or beautiful, but their point is always clear. The same style has been both derided as "harsh, unpleasant, and thorny" and praised as "grave, concise, and pithily eloquent". Tacitus owes the most, both in language and in method, to Sallust; Ammianus Marcellinus is the later historian whose work most closely approaches him in style. Studies"Auguror nec me fallit augurium, historias tuas immortales futuras" —Pliny the Younger, to Tacitus (Letters 7.33) Tacitus is remembered first and foremost as Rome's greatest historian, the equal—if not the superior—of Thucydides, the ancient Greeks' foremost historian; the 1911 Encyclopædia Britannica opined that he "ranks beyond dispute in the highest place among men of letters of all ages". His influence extends far beyond the field of history. His work has been read for its moral instruction, its gripping and dramatic narrative, and its inimitable prose style; it is as a political theorist, though, that he has been (and still is) most influential outside the field of history. The political lessons taken from his work fall roughly into two camps (as identified by Giuseppe Toffanin): the "red Tacitists", who used him to support republican ideals, and the "black Tacitists", those who read his as a lesson in Machiavellian realpolitik. Though his work is the most reliable source for the history of his era, its factual accuracy is occasionally questioned: the Annals are based in part on secondary sources of unknown reliability, and there are some obvious minor mistakes (for instance confusing the two daughters of Mark Antony and Octavia Minor, both named Antonia). The Histories, written from primary documents and intimate knowledge of the Flavian period, is thought to be more accurate, though Tacitus' hatred of Domitian seemingly colored its tone and interpretations. NotesReferencesSee alsoExternal links
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