Thomas Middleton

Middleton wrote in many genres, including tragedy, history and city comedy. His best-known plays are the passionate tragedies The Changeling (written with William Rowley) and Women Beware Women, and the cynically satiric city comedy A Chaste Maid in Cheapside. It is also widely believed that he wrote The Revenger's Tragedy, previously attributed to Cyril Tourneur, and collaborated with Shakespeare on the scenes involving the Weird Sisters and Hecate in Macbeth.

Middleton's plays are characterized by their incredible cynicism about the human race, a cynicism that is often very funny. True heroes are a rarity in Middleton; in his plays, almost every character is selfish, greedy and self-absorbed. This quality is best observed in the highly enjoyable A Chaste Maid in Cheapside, a panoramic view of a London populated entirely by sinners, in which no social rank goes unsatirized. It can also be seen in the tragedies Women Beware Women and The Revenger's Tragedy, in which entertainingly amoral Italian courtiers endlessly plot against each other, resulting in a climactic bloodbath. When Middleton does portray good people, the characters have very small roles, and are flawless to perfection. Middleton is known to have been a strong believer in Calvinism, the dominant theology of the time, which rigidly divides humanity into the damned and the elect. His drama seems to reflect that belief.

Middleton's Works

Note: The Middleton canon is beset by complications involving collaboration and debated authorship. The following list is based on that provided by the Oxford Middleton Project, a team of scholars who are editing a new edition of Middleton's complete works. All dates of plays are dates of composition, not of publication.

Plays

• The Phoenix (1603-4)
• The Honest Whore, Part 1. Co-written with Thomas Dekker (1604)
• Michaelmas Term (1604)
• A Trick to Catch the Old One (1605)
• A Mad World, My Masters (1605)
• A Yorkshire Tragedy (1605). Attributed to Shakespeare on its title page, but stylistic analysis favours Middleton.
• Timon of Athens (1605-1606). Stylistic analysis indicates that Shakespeare wrote this play in collaboration with Middleton.
• The Puritan (1606)
• The Revenger's Tragedy (1606). Although sometimes attributed to Cyril Tourneur, stylistic analysis strongly indicates Middleton's authorship.
• Your Five Gallants (1607)
• The Bloody Banquet (1608-9). Co-written with Thomas Dekker.
• The Roaring Girl (1611). Co-written with Thomas Dekker.
• No Wit, No Help Like a Woman's (1611)
• The Second Maiden's Tragedy (1611). Anonymous manuscript; stylistic analysis indicates Middleton's authorship.
• A Chaste Maid in Cheapside (1613)
• Wit at Several Weapons (1613). Printed as part of the Beaumont and Fletcher Folio, but stylistic analysis indicates comprehensive revision by Middleton and William Rowley.
• More Dissemblers Besides Women (1614)
• The Widow (1615-16)
• The Witch (1616)
• Macbeth. Various evidence indicates that the extant text of Shakespeare's Macbeth has been partly adapted by Middleton in 1616, using passages from The Witch.
• A Fair Quarrel (1616). Co-written with William Rowley.
• The Old Law (1618-19). Co-written with William Rowleyand perhaps a third collaborator, who may have been Philip Massinger or Thomas Heywood.
• Hengist, King of Kent, or, The Mayor of Queenborough (1620)
• Women Beware Women (1621)
• Measure for Measure. Stylistic evidence indicates that the extant text of Shakespeare's Measure for Measure was partly adapted by Middleton in 1621.
• Anything for a Quiet Life (1621). Co-written with John Webster.
• The Changeling (1622). Co-written with William Rowley.
• The Nice Valour (1622). Printed as part of the Beaumont and Fletcher Folio, but stylistic analysis indicates comprehensive revision by Middleton.
• The Spanish Gypsy (1623). Believed to be a play by Middleton and William Rowley revised by Thomas Dekker and John Ford.
• A Game at Chess (1624). Satirized the negotiations over the proposed marriage of Prince Charles son of James I of England with the Spanish princess. Was closed after nine performances.
  

  Masques and entertainments

• The Whole Royal and Magnificent Entertainment Fiven to King James Throughn the City of London (1603-4). Co-written with Thomas Dekker, Stephen Harrison and Ben Jonson.
• The Manner of his Lordship's Entertainment
• The Triumphs of Truth
• Civitas Amor
• The Triumphs of Honour and Industry (1617)
• The Masque of Heroes, or, The Inner Temple Masque (1619)
• The Triumphs of Love and Antiquity (1619)
• The World Tossed at Tennis (1620). Co-written with William Rowley.
• Honourable Entertainments (1620-1)
• An Invention (1622)
• The Sun in Aries (1621)
• The Triumphs of Honour and Virtue (1622)
• The Triumphs of Integrity with The Triumphs of the Golden Fleece (1623)
• The Triumphs of Health and Prosperity (1626)

Poetry

• The Wisdom of Solomon Paraphrased (1597)
• The Ghost of Lucrece (1600)
  

  Prose

• (1599)
• The Penniless Parliament of Threadbare Poets (1601)
• News from Gravesend. Co-written with Thomas Dekker (1603)
• The Nightingale and the Ant (1604), also published under the title Father Hubbard's Tales
• The Meeting of Gallants at an Ordinary (1604). Co-written with Thomas Dekker.
• Plato's Cap Cast at the Year 1604 (1604)
• The Black Book (1604)
• Sir Robert Sherley his Entertainmnt in Cracovia (1609) (translation).
• The Two Gates of Salvation (1609), or The Marriage of the Old and New Testament.
• The Owl's Almanac (1618)
• The Peacemaker (1618)
  

  References

• J.R. Mulryne, Thomas Middleton ISBN 058201266X
• Kenneth Friedenreich, editor, "Accompaninge the players": Essays Celebrating Thomas Middleton, 1580-1980 ISBN 040462278X
• The Oxford Middleton Project
• The Plays of Thomas Middleton